Diamonds - www.diamondimports.com.au
Learn About Diamonds, Diamond Buying Advice, Diamond Information
23
Mar
You may copy this article and place it on your own website, as long as you do not change it and include this
resource box including these live links to Diamond Imports www.diamondimports.com.au
Australia's Leading Wholesaler of Excellent Cut Diamonds and Certified Diamonds
Copyright © 2008 Diamond Imports Pty Ltd
http://www.diamondimports.com.au
1
Mar
” Is their transparency conspicuous? “Are they like a dew-drop hanging from a damask rose leaf;that is, are they of pure water “
Click on above link to view our rare selection.
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In our business we affectionately refer to Internally Flawless ( IF ) diamonds as Iffies.
A diamond with a D IF grading is called a Diffy, an E an Effy, a F a Fiffy and so on.
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What a lot of diamond consumers do not realise is the clarity ( purity ) grading effects the price of a diamond higher or lower before the colour does yet it is the least seen attribute.
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Size, shape, colour and light performance are easily visible yet clarity grades ultimately are the predominate single factor when diamonds increase or decrease in value because of the rarity.
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Culturally it is interesting to note that the Chinese and Vietnamese place more importance on clarity rather than any other reason when considering diamonds because the purity of a diamond is held in the highest esteem. A diamond graded as D-E IF or a D-E VVS1 are considered as the only quality to buy. In Hong Kong we have noticed many stores with Hiffies and Jiffies in their windows which is something usually not seen in western Caucasian countries.
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Highest clarity diamonds are a sign of high status and the symbol of purity.
There are many a future Chinese mother in law who will interfere or participate directly or indirectly in the diamond transaction to ensure this old Chinese tradition is strictly observed and the honour of her beloved daughter will not be comprimised so watch out guys.
You do not get a second chance to make a first impression.
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We often find those Chinese who can not afford the high cost of these Diffies or Effies will comprimise to D-E VS graded diamonds knowing that they have achieved the highest quality grade within their abilities and budgets to buy a chosen diamond.
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The power of diamonds and what they symbolise proves to the detractors of diamonds ( usually those old spinsters who are never asked for their hand in marriage or just plain meanies ) the incredible influence owning a diamond has on the psyche of the future Mr and Mrs Diffy.
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Armed with this knowledge, combine this with all the emphasis placed on very good proportion grading, and you are on your journey to hunt down your favourite diamond with an independent recognised diamond grading report / certificate from a compliant diamond grading laboratory protecting you interests.
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Hooooroooo from De Guru
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History
In 1952, Richard T Liddicoat, along with Lester Bensen, Joe Phillips, Robert Crowningshield and Bert Krashes began to work on a new diamond grading system which they called the diamond grading and evaluation appraisal.
In 1952, Richard T Liddicoat, along with Lester Bensen, Joe Phillips, Robert Crowningshield and Bert Krashes began to work on a new diamond grading system which they called the diamond grading and evaluation appraisal.
In 1953, they released their new system which assessed three aspects of diamonds; make, colour and clarity.
They took terminology used in the industry at the time and refined the definitions to produce a clarity scale by which diamonds could consistently be graded.
The system at that time contained nine grades, flawless, VVS1, VVS2, VS1, VS2, SI1, SI2, I1, and I2.
The I of the I1, and I2 grades stood for imperfect.
During the 1970’s two changes were made to the system.
During the 1970’s two changes were made to the system.
Firstly, the internally flawless grade was added, as GIA noticed that many diamonds were being aggressively cut to remove any surface blemishes, and thereby reducing the cutting quality (make) of the diamonds.
The internally flawless grade gave diamond manufacturers a choice to leave blemishes on the surface of the stone, and achieve a grade higher than VVS1.
The second change made to the grading system, was the introduction of the I3 grade. This change was made in response to a growing number of diamonds of very low clarity being cut.
The last change to the clarity grading system took place in the 1990’s when the term imperfect was updated to included.
The last change to the clarity grading system took place in the 1990’s when the term imperfect was updated to included.
The GIA grading system today
GIA diamond clarity grading scale :
Flawless, Internally Flawless, Very Very Slightly Included,Very Slightly Included,Slightly Included,Included or Pique (pronounced pee-kay)
FL IF VVS1 VVS2 VS1 VS2 SI1 SI2 I1 I2 I3
Flawless category (FL) diamonds that no inclusions or blemishes are visible under 10x magnification.
Internally Flawless category (IF) diamonds have no inclusions visible under 10x magnification, only small blemishes on the diamond surface
Very, Very Slightly Included category (VVS) diamonds have minute inclusions that are difficult for a skilled grader to see under 10x magnification.[2] The VVS category is divided into two grades; VVS1 denotes a higher clarity grade than VVS2. Pinpoints and needles set the grade at VVS
Very Slightly Included category (VS) diamonds have minor inclusions that are difficult to somewhat easy for a trained grader to see when viewed under 10x magnification.
GIA diamond clarity grading scale :
Flawless, Internally Flawless, Very Very Slightly Included,Very Slightly Included,Slightly Included,Included or Pique (pronounced pee-kay)
FL IF VVS1 VVS2 VS1 VS2 SI1 SI2 I1 I2 I3
Flawless category (FL) diamonds that no inclusions or blemishes are visible under 10x magnification.
Internally Flawless category (IF) diamonds have no inclusions visible under 10x magnification, only small blemishes on the diamond surface
Very, Very Slightly Included category (VVS) diamonds have minute inclusions that are difficult for a skilled grader to see under 10x magnification.[2] The VVS category is divided into two grades; VVS1 denotes a higher clarity grade than VVS2. Pinpoints and needles set the grade at VVS
Very Slightly Included category (VS) diamonds have minor inclusions that are difficult to somewhat easy for a trained grader to see when viewed under 10x magnification.
The VS category is divided into two grades; VS1 denotes a higher clarity grade than VS2. Typically the inclusions in VS diamonds are invisible without magnification, however infrequently some VS2 inclusions may still be visible to the eye. An example would be on a large emerald cut diamond which has a small inclusion under the corner of the table.
Slightly Included category (SI) diamonds have noticeable inclusions that are easy to very easy for a trained grader to see when viewed under 10x magnification.
Slightly Included category (SI) diamonds have noticeable inclusions that are easy to very easy for a trained grader to see when viewed under 10x magnification.
The SI category is divided into two grades; SI1 denotes a higher clarity grade than SI2. These may or may not be noticeable to the naked eye.
Included category (I) diamonds have obvious inclusions that are clearly visible to a trained grader under 10x magnification.
Included category (I) diamonds have obvious inclusions that are clearly visible to a trained grader under 10x magnification.
Included diamonds have inclusions that are usually visible without magnification or have inclusions that threaten the durability of the stone.
The I category is divided into three grades; I1 denotes a higher clarity grade than I2, which in turn is higher than I3.
Inclusions in I1 diamonds often are seen to the unaided eye. I2 inclusions are easily seen, while I3 diamonds have large and extremely easy to see inclusions that typically impact the brilliance of the diamond, as well as having inclusions that are often likely to threaten the structure of the diamond.
GIA Clarity Grading Procedure
GIA clarity grading is performed under 10x magnification with darkfield illumination.
GIA clarity grading is performed under 10x magnification with darkfield illumination.
The GIA Gem Trade Laboratory, uses as standard equipment a binocular stereo microscope, that is able to zoom to higher magnifications.
These microscopes are equipped with darkfield illumination, as well as an ultraviolet light filtered overhead light.
When grading is performed using a 10x handheld loupe, ‘darkfield’ illumination is more difficult to achieve.
The grader must use a lightsource in such a way that the base of the stone is lit from the side, and the crown of the stone is shielded from the light.
After thoroughly cleaning the diamond, the diamond is picked up using tweezers in a girdle-to-girdle hold.
After thoroughly cleaning the diamond, the diamond is picked up using tweezers in a girdle-to-girdle hold.
The grader views the diamond for the first time through the table, studying the culet area of the stone for inclusions.
The diamond is then set down, and picked up with the tweezers in a table-to-culet hold.
In this position the diamond can be studied from the pavilion side, and the crown side, examining the diamond through each facet for inclusions.
Once a sector of the diamond has been thoroughly examined the grader rotates the diamond in the tweezer, so that the neighboring sector can be examined.
The grader uses darkfield lighting to reveal characteristics, and alternates to reflected, overhead lighting to ascertain whether a characteristic lies within the stone, on the stones surface, or both. If the grader is using a stereo microscope, they may zoom in to a higher magnification to make closer observations of an inclusion, but then return to 10x magnification to make an assessment of it’s impact on the clarity grade.
If a stereo binocular microscope has been used, a final assessment using a 10x loupe is performed before the final judgement is made on the clarity of the stone.
If a stereo binocular microscope has been used, a final assessment using a 10x loupe is performed before the final judgement is made on the clarity of the stone.
The grader firstly decides the clarity category of the diamond using the keywords; none (FL, or IF if blemished), minute (VVS), minor (VS), noticeable (SI), obvious (I). The decision is then made on the grade of the diamond.
Grading Systems by Other Organizations
The clarity grading system developed by the GIA has been used throughout the industry as well as by other diamond grading agencies including the American Gemological Society (AGS), European Gemological Laboratory (EGL), and the International Gemological Laboratory (IGL). These grading agencies base their clarity grades on the characteristics of inclusions visible to a trained professional when a diamond is viewed from above under 10x magnification.
The clarity grading system developed by the GIA has been used throughout the industry as well as by other diamond grading agencies including the American Gemological Society (AGS), European Gemological Laboratory (EGL), and the International Gemological Laboratory (IGL). These grading agencies base their clarity grades on the characteristics of inclusions visible to a trained professional when a diamond is viewed from above under 10x magnification.
Confédération International de la Bijouterie, Joaillerie, Orfèvrerie des Diamantes, Perles et Pierres (CIBJO)
CIBJO diamond clarity grading scale
CIBJO diamond clarity grading scale
The CIBJO or the International Confederation of Jewellery, Silverware, Diamonds and Stones developed the International Clarity Scale for grading diamonds
This clarity scale mirrors the GIA grading scale, except nomenclature varies.
This clarity scale mirrors the GIA grading scale, except nomenclature varies.
The CIBJO system names these clarity grades; Loupe Clean, Very, very small inclusions (VVS1 and VVS2), Very small inclusions (VS1 and VS2), Small inclusions (SI1 and SI2), Pique (P1, P2, and P3).
Clarity grading by CIBJO standards is by examination using a 10x achromatic, aplanatic loupe in normal light.
Clarity grading by CIBJO standards is by examination using a 10x achromatic, aplanatic loupe in normal light.
American Gem Society
The American Gem Society grades clarity on a number scale between 0 and 10.
The American Gem Society grades clarity on a number scale between 0 and 10.
These numbers grades correlate almost exactly with the GIA system, but with some differences. The flawless and internally flawless (0) grades are grouped together with notation defining whether the stone is free from external blemishes, the VVS through SI grades are numbered 1 through 6, and then there are four grades 7 through 10 for the included category.
Clarity grading by AGS standards requires examination using a binocular stereo microscope equipped with adjustable zoom magnification and darkfield illumination.
Clarity grading by AGS standards requires examination using a binocular stereo microscope equipped with adjustable zoom magnification and darkfield illumination.
International Diamond Council (IDC)
The IDC or the International Diamond Council uses a very similar standard to CIBJO. IDC loupe clean stones that have external blemishes have notations made on the grading report. IDC clarity grading is by examination using a 10x achromatic, aplanatic loupe in normal light.
The IDC or the International Diamond Council uses a very similar standard to CIBJO. IDC loupe clean stones that have external blemishes have notations made on the grading report. IDC clarity grading is by examination using a 10x achromatic, aplanatic loupe in normal light.
The European Gemological Laboratory (EGL) introduced the SI3 as a clarity grade.
While intended as a range to include borderline SI2 / I1 stones, it is now commonly used to mean I1’s which are “eye clean”, that is, which have inclusions which are not obviously visible to the naked eye.
Clarity grading considerations
All grades reflect the appearance to an experienced grader when viewed from above at 10x magnification, though higher magnifications and viewing from other angles are used during the grading process.
All grades reflect the appearance to an experienced grader when viewed from above at 10x magnification, though higher magnifications and viewing from other angles are used during the grading process.
The grader studies the diamond for internal characteristics, and judges them on the basis of five clarity factors; size, number, position, nature, and color or relief.
The clarity grade is assessed on the basis of the most noticeable inclusions, otherwise called: grade setting inclusions.
This means that less significant inclusions are ignored for the purposes of setting the grade. However, they may still be plotted onto a diamond plot chart.
Accurate clarity grading as with other grading steps must be done with the diamond loose; meaning not set into any mounting. Inclusions are often difficult to see from the crown side of the diamond, and may be concealed by the setting.
Accurate clarity grading as with other grading steps must be done with the diamond loose; meaning not set into any mounting. Inclusions are often difficult to see from the crown side of the diamond, and may be concealed by the setting.
Size
The first clarity factor which is assessed is a clarity characteristic’s size. Larger characteristics are typically more noticeable under magnification, thereby placing the diamond into a lower clarity grade.
The first clarity factor which is assessed is a clarity characteristic’s size. Larger characteristics are typically more noticeable under magnification, thereby placing the diamond into a lower clarity grade.
Number
The second clarity factor which is assessed is the number of clarity characteristics. Generally the more characteristics the lower the clarity grade. This assesment is made by judging how readily they can be seen, not by the actual number of characteristics.
The second clarity factor which is assessed is the number of clarity characteristics. Generally the more characteristics the lower the clarity grade. This assesment is made by judging how readily they can be seen, not by the actual number of characteristics.
Position
The third clarity factor which is assessed is the characteristic’s position.
The third clarity factor which is assessed is the characteristic’s position.
When an inclusion is directly under the table of the diamond it is most visible.
An inclusion under the table and positioned close to a pavilion facet, will reflect multiple times around the stone, giving this type of inclusion the name reflector.
Reflectors are graded as if each reflection were an inclusion (although in plotting the diamond it is only plotted once).
For this reason reflectors have a greater impact on the clarity grade.
Inclusions become less visible when they are positioned under the crown facets, or near the girdle of the stone.
These inclusions may often be more easily seen from the pavilion side of the diamond than from crown side of the diamond.
In addition the position of large feathers, knots and included crystals positioned where they extend to the girdle or crown of the stone, affect the clarity grade.
In addition the position of large feathers, knots and included crystals positioned where they extend to the girdle or crown of the stone, affect the clarity grade.
Diamonds worn in jewelry typically will withstand breakage, however inclusions of this nature, in these positions, can pose a risk for further extension of the break in the structure of the diamond.
Inclusions that are judged to pose at least a moderate risk of breakage to the stone are graded in the included category.
Nature
The fourth clarity factor which is assessed is a characteristic’s nature.
The fourth clarity factor which is assessed is a characteristic’s nature.
The characteristic’s nature determines whether it is internal where they extend into the stone, or external; where they are limited to the surface of the stone.
Internal characteristics automatically exclude the diamond from the flawless, and internally flawless categories. External characteristics exclude the diamond from the flawless category.
A diamond’s internal characteristics can be a; knot, laser drill hole, needle, pinpoint, or twinning wisp, bruise, cavity, chip, cleavage, cloud, crystal, feather, grain center, indented natural, internal graining,
A diamond’s external characteristics can be an; abrasion, natural, nick, pit, polish lines, polish mark, scratch, surface graining, or extra facet.
The nature will also detail whether an inclusion poses a risk to the stone. Inclusions that cause or may cause a break in the crystal structure (included crystal, feather, knot, cleavage) are considered alongside their position, to assess whether they pose a moderate level of risk for further breakage.
A diamond’s internal characteristics can be a; knot, laser drill hole, needle, pinpoint, or twinning wisp, bruise, cavity, chip, cleavage, cloud, crystal, feather, grain center, indented natural, internal graining,
A diamond’s external characteristics can be an; abrasion, natural, nick, pit, polish lines, polish mark, scratch, surface graining, or extra facet.
The nature will also detail whether an inclusion poses a risk to the stone. Inclusions that cause or may cause a break in the crystal structure (included crystal, feather, knot, cleavage) are considered alongside their position, to assess whether they pose a moderate level of risk for further breakage.
Colour or relief
The fifth clarity factor which is assessed is the colour and relief of clarity characteristics. Characteristics that contrast with the surrounding diamond are said to have relief. The degree to which this color and relief is noticeable affects the clarity grade of the diamond. Coloured inclusions invariably show contrast and are more easily seen. An exception is a black pinpoint inclusion which is often more difficult to see than a white pinpoint.
Rarity and value
Diamonds become increasingly rare when considering higher clarity gradings.
Diamonds become increasingly rare when considering higher clarity gradings.
Only about 20 percent of all diamonds mined have a clarity rating high enough for the diamond to be considered appropriate for use as a gemstone; the other 80 percent are relegated to industrial use.
Of that top 20 percent, a significant portion contains an inclusion or inclusions that are visible to the naked eye upon close inspection.
Those that do not have a visible inclusion are known as “eye-clean” and are preferred by most buyers, although visible inclusions can sometimes be hidden under the setting in a piece of jewelry.
The most expensive gem diamonds fall within the VS and SI grades with FL, IF, and even VVS stones commanding significant premiums, while ” I ” stones are shunned by most buyers FL and IF stones are sometimes referred to as “museum quality” or “investment grade” to denote their rarity, although the term “investment grade” is misleading as diamonds.
Diamond Clarity Enhancement
Laser “drilling” involves using a laser to burn a hole to a colored inclusion, followed by acid washing to remove the coloring agent. The clarity grade is the grade after the treatment. The treatment is considered permanent.
GIA, as a matter of policy, does NOT certify clarity-enhanced diamonds.
If you see a GIA Diamond Report with the words “clarity enhanced” or “fracture-filled,” it is surely a counterfeit report.
Clarity can also be “enhanced” by filling the fracture much like a car windshield crack can be treated. Such diamonds are sometimes called “fracture filled diamonds”.
Reputable vendors must disclose this filling and reputable filling companies use filling agents which show a flash of color, commonly orange or pink, when viewed closely.
There is a significant price discount for fracture-filled diamonds.
The GIA will not grade fracture-filled diamonds, in part because the treatment isn’t as permanent as the diamond itself.
Reputable companies often provide for repeat treatments if heat causes damage to the filling. The heat required to cause damage is that of a blowtorch used to work on settings, and it is essential to inform anyone working on a setting if the diamond is fracture-filled, so they can apply cooling agents to the diamond and use greater care while working on it.
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Diamond Imports
You may copy this article and place it on your own website, as long as you do not change it and include this
resource box including these live links to Diamond Imports www.diamondimports.com.au
Australia's Leading Wholesaler of Excellent Cut Diamonds and Certified Diamonds
Copyright © 2008 Diamond Imports Pty Ltd
http://www.diamondimports.com.au
14
Feb
Most laymen firmly believe that diamond cutting is steeped in mystery and that its secrets are passed down through families, from one generation to the next. But with some explanation, the “secrets” of this seemingly enigmatic art will be revealed. There are six separate disciplines in the fashioning of a diamond: designing, cleaving, sawing, bruting, cross-working, and brillianteering. The last four require a full apprenticeship.
Since the departments remained strictly within their own boundaries, they failed to integrate and thus failed to gain the knowledge necessary to extract the secrets from the hardest and potentially brightest of all gemstones.
Today almost 99 percent of all diamond workers are semiskilled and haven’t served any formal apprenticeship in one of the four diamond cutting disciplines that require it. While these workers are needed for round brilliant production, they are only taught to cut a few facet angles. Sawing and bruting have also been simplified, so it is almost impossible for any of these workers to learn the overall skills associated with diamond cutting.
There are many excellent colored-stone faceters who have perfected the art of gem cutting, both on the amateur and semiprofessional level. These gifted and self-taught individuals are well suited to diamond cutting, since they already possess the basic skills of facet alignment, meet-point faceting, and symmetry.
Amateur and semiprofessional colored-stone faceters have a natural inherent ability that enables them to explore new frontiers while continually striving to perfect their craft. They constantly experiment with different materials, angles, and polishing techniques in order to improve upon what they achieved on the last stone they cut. Most are self-taught and learned their skills through trial and error, magazines, books, etc. Nonetheless, to such individuals, faceting a diamond is the zenith to which they can aspire, so one can take courage from the following statement: Once a bench, tang, and dop system are in place, all that is needed to complete a standard round brilliant diamond is to follow the procedure in this book, which covers the ABC’s of diamond cutting. For more advanced designs and skills, the book Diamond Cutting by Basil Watermeyer is a follow up for colored-stone faceters who want to become diamond cutters.
The whole idea behind this book is to encourage the colored-stone-faceter to use his skills in a rewarding and profitable venture; that is, those with the initiative to further their craft can garner great financial rewards. Experienced colored-stone faceters know that it only takes a little courage and the knowledge that repetition is the mother of perfection.
Availibility of rough diamonds for the individual and low-volume buyer is one of the first questions to consider. Rough is obtainable, but just as important to supply is its cost. In order to guide the diamond cutter in this critical area, the Michelsen Rough Diamond Index was developed. This complements the existing Michelsen Gemstone Index, which is a wholesale pricing guide. Using both, the diamond cutter can determine not only the cost of the rough, but what the finished product can sell for. The Michelsen Rough Diamond Index covers grading criteria for shape, color, clarity, weight, and price, which serve the diamond cutter as an excellent reference tool for purchasing rough and also for management of inventory, profit, and cost control.
Another consideration is the cost of tools and equipment Benches can be built and selective purchasing of tools will keep costs down. Other tools can be acquired as the range of diamond designs expands. Sawing and bruting can be handled by supportive firms that specialize in the fields. All fancy designs are shaped by faceting techniques which dispense with bruting. Though some shapes can be bruted, it will eventually lead to bearding of the girdle in medium to larger stones.
While we have tried to cover all necessary aspects of diamond cutting, a warning might be necessary here: A number of diamond cutting schools might spring up at this early stage of development, so always consider what area of diamond cutting you wish to enter, the older, more traditional or the new vision sector. Only those gem cutters who have succeeded in today’s new specialty diamond cutting will be qualified to run such training schools; otherwise, this brave new industry sector will slip into oblivion.
The transition from colored-stone faceter to diamond cutter is much simpler than one can imagine, and the following chapters will reveal the disciplines, techniques, and special skills needed to know and understand the diamond crystal. How good a diamond cutter the reader becomes is purely a matter of application. The challenge to discover and unleash a diamond’s full potential of fire, beauty, and financial rewards are all here to discover. By incorporating our new vision techniques, greater weight retention is possible from selected sizes. About 70 percent of all rough-diamond shapes have a potential for fancies, so it is important to understand the rough crystal and the correct application of the appropriate design. The technique of selling brilliant-cut fancy designs with all the attributes of the round brilliant is simple if you share your profits, gained through greater weight retention, with the consumer, whereby creating more demand for the unique. To order click here!
The award-winning book Diamond Cutting, by Basil Watermeyer, fourth edition, covers the total spectrum of diamond cutting from the correct selection of tools to the finest details of techniques and designs. References to appropriate chapters are given at the back of this book.
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Diamond Imports
You may copy this article and place it on your own website, as long as you do not change it and include this
resource box including these live links to Diamond Imports www.diamondimports.com.au
Australia's Leading Wholesaler of Excellent Cut Diamonds and Certified Diamonds
Copyright © 2008 Diamond Imports Pty Ltd
http://www.diamondimports.com.au
9
Feb
These are face-up views of “Old European Cut” (below) [ sometimes referred to as the Peruzzi Cut ] and “Old Mine Cut” (above) diamonds like those that were prevalent when Tolkowsky wrote Diamond Design. The European cut diamond looks somewhat modern, but has a larger culet and a very small table (45%) by modern standards. (Since old-cut diamonds came in a variety of shapes, the diamonds above should only be considered examples of their cut types.)
Source: GIA
My passion for old mine cuts has led me down the gem path of never ending quality diamond consumption once again. Is there no stopping me? Probably not. It’s addictive.
As one of my close colleagues, Mr David Schott , Member of the Israel Diamond Exchange once said and I quote him:
“Every Stone a Picture” There is something very romantic about these lumpy irregular shaped diamonds, these predecessors to the modern cushion cuts and round brilliants. Their lively scintillation and fire sometimes with unusual internal inclusions are hypnotic, each diamond unique and individual with an unparalleled soft looking romantic glow that many find appealing.Often seen in antique and art deco jewellery pieces, there is a demand for these old mine cut diamonds either for replacement of lost diamonds or re created antique styles of jewellery which are making a renaissance amongst those creative jewellers who have clients with a common passion. It’s a strange and contrasting pleasant paradox how old mine cut diamonds seem to be growing more and more in popularity by those who are true lovers of diamonds in an age where hi tech computer aided diamond manufacturing is now dominating the whole diamond industry worldwide. There is a simple naive beauty in their primitiveness. In due time I hope to have these
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These diamonds have more personality and timelessness than their modern cut counterparts of today.
While being cut with less than exacting proportions, these diamonds have a beauty and magic of their own which give them a desirable, distinct beauty just as the bygone era in which they were fashioned and represent. This cutting style began to disappear around the turn of the last century.
And how true it is when louping these gem babies, their primitive unsophisticated cuts, different length to width ratios, small table and deep pavillions are unpredictable and mesmerizing when compared to the sharp clean symmetrical lines of modern cut diamonds today.
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Three Facts About Old Cut Diamonds
1)
” Old European Cut Diamonds and Old Mine Cuts tend to “mask” their true body color especially when mounted in a piece of jewelry for the following reasons: They were hand faceted with less than concise proportions and consequently do not reflect light as brilliantly as does their modern faceted counterpart: “The Modern Round Brilliant.” This attribute allows for a diamond of lesser color to appear more colorless when mounted in jewelry.
2)
Many of the old European and old mine faceted diamonds were mined in South Africa and have a slight to strong degree of natural fluorescence inherent in their crystalline structure caused predominantly by varying degrees of nitrogen levels. This characteristic may enhance the overall brilliance of a diamond and can be an asset. Only when an oily appearence is viewed from strong fluorescence does this characteristic prove to be undesireable.
3)
Old European as well as Old Mine Diamonds become rarer each day due to the fact that most of these fine older diamonds have been recut to modern proportions to enhance profit margins and saleablity in today’s modern jewelry pieces. These older cut diamonds are quite frequently less expensive by significant amounts than modern faceted diamonds.”
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Another bonus is that their prices are considerably more affordable which is an advantage compared to the modern cuts. Simply, you acquire a lot more diamond for your money weight wise, providing it’s the cutting style that appeals to you, for a lot less.
Here is a list of new “old miners” certified and laser inscribed by the Diamond Certification Laboratory of Australia. I doubt anyone would normally laser inscribe an old mine cut but in this day and age of unidentifiable synthetics it is my belief these diamond are more easily assumed to be natural because of their appearance. If anything the case is quite the opposite. Synthetic diamonds can easily be cut and reproduced in the appearance of an old mine cut quicker and with less precision than that of a modern cut diamond. I recall hearing of synthetic red ruby imitating natural rough soiled and scratched also cut in this fashion to trick the unsuspecting buyer who thought they were buying a bargain. The same can be done to synthetic diamonds.
Happy Browsing,
Daniel F Katz GG
Hoooorooooo from De Guru
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New Arrivals GST Inclusive
OMC 039 Old Mine Cut Diamond 0.45ct G SI1 DCLA Laser Inscribed#159025AUD$1,122.00
OMC 038 Old Mine Cut Diamond 0.47ct F SI2 DCLA Laser Inscribed#159024AUD$1,232.00
OMC 037 Old Mine Cut Diamond 0.44ct E SI2 DCLA Laser Inscribed#159023AUD$1,089.00
OMC 036 Old Mine Cut Diamond 0.47ct G SI1 DCLA Laser Inscribed#159022AUD$1,364.00
OMC 035 Old Mine Cut Diamond 0.47ct E VS2 DCLA Laser Inscribed#159021AUD$1,815.00
OMC 034 Old Mine Cut Diamond 0.92ct K VS1 DCLA Laser Inscribed#159020AUD$3,927.00
OMC 033 Old Mine Cut Diamond 0.53ct G SI1 DCLA Laser Inscribed#159040AUD$1,683.00
OMC 032 Old Mine Cut Diamond 0.51ct I VS2 DCLA Laser Inscribed#159039AUD$1,551.00
OMC 031 Old Mine Cut Diamond 0.69ct L SI2 DCLA Laser Inscribed#159038AUD$1,364.00
OMC 030 Old Mine Cut Diamond 0.76ct L SI1 DCLA Laser Inscribed#159037AUD$1,991.00
OMC 029 Old Mine Cut Diamond 0.43ct F SI1 DCLA Laser Inscribed#159036AUD$1,133.00
OMC 028 Old Mine Cut Diamond 0.40ct H SI1 DCLA Laser Inscribed#159035AUD$ 935.00
OMC 027 Old Mine Cut Diamond 0.41ct E SI1 DCLA Laser Inscribed#159034AUD$1,133.00
OMC 026 Old Mine Cut Diamond 0.44ct H SI1 DCLA Laser Inscribed#159033AUD$1,034.00
Diamond Imports
Diamonds of Yester Year
You may copy this article and place it on your own website, as long as you do not change it and include this
resource box including these live links to Diamond Imports www.diamondimports.com.au
Australia's Leading Wholesaler of Excellent Cut Diamonds and Certified Diamonds
Copyright © 2008 Diamond Imports Pty Ltd
http://www.diamondimports.com.au
